Karanlık Zamanlarda Şarkı Söylemek
| 导演： | Ethem Özgüven |
| 制片国家/地区： | 土耳其 |
| 类型： | 纪录片 |
| 语言： | 土耳其语 |
| 年代： | 2024 |
| 上映： | 2024-04-26 |
| 片长： | 42分钟 |
| 豆瓣评分： | 0 |
| 影伴评分： | 0 |
剧情简介
Antakya... The ruined city is essentially more city.
Perhaps the city is what remains after the buildings, streets, and memories that hold the city together are buried under ruins. Maybe a ’voice’ will gather all this ruin and bring it together. The Hatay Academy Symphony Orchestra has set out for this. One rail of this ’high-speed train’, which is heading towards disaster fast... (展开全部)
Antakya... The ruined city is essentially more city.
Perhaps the city is what remains after the buildings, streets, and memories that hold the city together are buried under ruins. Maybe a ’voice’ will gather all this ruin and bring it together. The Hatay Academy Symphony Orchestra has set out for this. One rail of this ’high-speed train’, which is heading towards disaster faster and faster, is the ’state of emergency’ and the other rail is ’debris’. To change today, we all need to pull the emergency brake, we need to stop this train. Artists from Hatay are in solidarity for this journey. A year has passed and they have turned our pain into something bearable. Without them, this pain would be insupportable.
Antakya... The ruined city is essentially more city.
Perhaps the city is what remains after the buildings, streets, and memories that hold the city together are buried under ruins. Maybe a ’voice’ will gather all this ruin and bring it together. The Hatay Academy Symphony Orchestra has set out for this. One rail of this ’high-speed train’, which is heading towards disaster fast... (展开全部)
Antakya... The ruined city is essentially more city.
Perhaps the city is what remains after the buildings, streets, and memories that hold the city together are buried under ruins. Maybe a ’voice’ will gather all this ruin and bring it together. The Hatay Academy Symphony Orchestra has set out for this. One rail of this ’high-speed train’, which is heading towards disaster faster and faster, is the ’state of emergency’ and the other rail is ’debris’. To change today, we all need to pull the emergency brake, we need to stop this train. Artists from Hatay are in solidarity for this journey. A year has passed and they have turned our pain into something bearable. Without them, this pain would be insupportable.
