Jerusalem(s), Borderline Syndrome
| 导演： | Eyal Sivan |
| 制片国家/地区： | 以色列 |
| 类型： | 纪录片 |
| 年代： | 1994 |
| 片长： | 65分钟 |
| 豆瓣评分： | 0 |
| 影伴评分： | 0 |
剧情简介
This iconoclastic film, midway between fiction and documentary, explores the "over-sacred" side of Jerusalem. A political gamble for its inhabitants, a myth for its visitors, Jerusalem remains a universal object of desire that borders on fetishism. The film takes its inspiration from the Jerusalem Syndrome, a particular form of hysteria, officially recognized in the 19th centur... (展开全部)
This iconoclastic film, midway between fiction and documentary, explores the "over-sacred" side of Jerusalem. A political gamble for its inhabitants, a myth for its visitors, Jerusalem remains a universal object of desire that borders on fetishism. The film takes its inspiration from the Jerusalem Syndrome, a particular form of hysteria, officially recognized in the 19th century, which affects the pilgrims and tourists visiting the Holy City. Late at night a young boy wanders the streets of Jerusalem and discovers one night a woman with golden breasts. In parallel, the camera, a character in its own right, investigates the daily reality of this divided city. It runs into invisible borders and, from fear of filming things that have already been filmed a thousand times, tries, without really succeeding, to escape the Jerusalem syndrome.
This iconoclastic film, midway between fiction and documentary, explores the "over-sacred" side of Jerusalem. A political gamble for its inhabitants, a myth for its visitors, Jerusalem remains a universal object of desire that borders on fetishism. The film takes its inspiration from the Jerusalem Syndrome, a particular form of hysteria, officially recognized in the 19th centur... (展开全部)
This iconoclastic film, midway between fiction and documentary, explores the "over-sacred" side of Jerusalem. A political gamble for its inhabitants, a myth for its visitors, Jerusalem remains a universal object of desire that borders on fetishism. The film takes its inspiration from the Jerusalem Syndrome, a particular form of hysteria, officially recognized in the 19th century, which affects the pilgrims and tourists visiting the Holy City. Late at night a young boy wanders the streets of Jerusalem and discovers one night a woman with golden breasts. In parallel, the camera, a character in its own right, investigates the daily reality of this divided city. It runs into invisible borders and, from fear of filming things that have already been filmed a thousand times, tries, without really succeeding, to escape the Jerusalem syndrome.
