The Man Whose Mind Exploded
| 导演： | Toby Amies |
| 主演： | Drako Oho Zarharzar |
| 制片国家/地区： | 英国 |
| 类型： | |
| 语言： | 英语 |
| 年代： | 2012 |
| 片长： | 77min |
| 豆瓣评分： | 0 |
| IMDB： | 0 |
| 影伴评分： | 0 |
剧情简介
Drako Zarhazar lives completely in the now. He doesn't have a choice: his anterograde amnesia means he can't create new memories. He'll tell you he has survived two comas, two nervous breakdowns and two suicide attempts. Despite past angst, the Drako of the present is cheerful and extroverted, and more than happy to let Toby Amies film him in all his tattooed glory. His overflo... (展开全部)
Drako Zarhazar lives completely in the now. He doesn't have a choice: his anterograde amnesia means he can't create new memories. He'll tell you he has survived two comas, two nervous breakdowns and two suicide attempts. Despite past angst, the Drako of the present is cheerful and extroverted, and more than happy to let Toby Amies film him in all his tattooed glory. His overflowing Brighton flat is an aide memoire, an art installation, and his home,. An invitation into it is an invitation into his mind. It's also becoming a health hazard. Aware of the lines that are being crossed but unable to do much about it, Toby becomes more than documentarian, filling in as both carer and friend. He struggles to keep Drako safe from himself whilst keeping Drak secure in his home in this tender and nuanced portrait of an outsider.
Drako Zarhazar lives completely in the now. He doesn't have a choice: his anterograde amnesia means he can't create new memories. He'll tell you he has survived two comas, two nervous breakdowns and two suicide attempts. Despite past angst, the Drako of the present is cheerful and extroverted, and more than happy to let Toby Amies film him in all his tattooed glory. His overflo... (展开全部)
Drako Zarhazar lives completely in the now. He doesn't have a choice: his anterograde amnesia means he can't create new memories. He'll tell you he has survived two comas, two nervous breakdowns and two suicide attempts. Despite past angst, the Drako of the present is cheerful and extroverted, and more than happy to let Toby Amies film him in all his tattooed glory. His overflowing Brighton flat is an aide memoire, an art installation, and his home,. An invitation into it is an invitation into his mind. It's also becoming a health hazard. Aware of the lines that are being crossed but unable to do much about it, Toby becomes more than documentarian, filling in as both carer and friend. He struggles to keep Drako safe from himself whilst keeping Drak secure in his home in this tender and nuanced portrait of an outsider.
