Gradiva
| 导演： | Albert Gabriel Nigrin |
| 制片国家/地区： | 美国 |
| 类型： | |
| 语言： | 无对白 |
| 年代： | 1984 |
| 片长： | 16分钟 |
| 豆瓣评分： | 0 |
| 影伴评分： | 0 |
剧情简介
Gradiva deals with a man who constructs/creates an idealized image of a woman, seductive but false. However, there also exists a real Gradiva, seeking to slowly wean the hero from his obsession, who consents to play at the ideal for a time so as 'not to awaken the dreamer too abruptly; gradually to unite myth and reality.' Gradiva soon tires of the game. The film deals with the... (展开全部)
Gradiva deals with a man who constructs/creates an idealized image of a woman, seductive but false. However, there also exists a real Gradiva, seeking to slowly wean the hero from his obsession, who consents to play at the ideal for a time so as 'not to awaken the dreamer too abruptly; gradually to unite myth and reality.' Gradiva soon tires of the game. The film deals with the point of loss. Gradiva is intangible, fading in and out, always a step away, no matter the speed of approach. Gradiva is ambiguous, a mirror image, kind and gentle, false and deadly. The hero is caught in a web and is not as sympathetic as he may first appear. He has consented to spin the web; he creates the scenario in which he is forced to act.
Gradiva deals with a man who constructs/creates an idealized image of a woman, seductive but false. However, there also exists a real Gradiva, seeking to slowly wean the hero from his obsession, who consents to play at the ideal for a time so as 'not to awaken the dreamer too abruptly; gradually to unite myth and reality.' Gradiva soon tires of the game. The film deals with the... (展开全部)
Gradiva deals with a man who constructs/creates an idealized image of a woman, seductive but false. However, there also exists a real Gradiva, seeking to slowly wean the hero from his obsession, who consents to play at the ideal for a time so as 'not to awaken the dreamer too abruptly; gradually to unite myth and reality.' Gradiva soon tires of the game. The film deals with the point of loss. Gradiva is intangible, fading in and out, always a step away, no matter the speed of approach. Gradiva is ambiguous, a mirror image, kind and gentle, false and deadly. The hero is caught in a web and is not as sympathetic as he may first appear. He has consented to spin the web; he creates the scenario in which he is forced to act.
