Dot 2 Dot
| 导演： | Albert Gabriel Nigrin |
| 制片国家/地区： | 美国 |
| 类型： | |
| 语言： | 无对白 |
| 年代： | 1984 |
| 片长： | 16分钟 |
| 豆瓣评分： | 0 |
| 影伴评分： | 0 |
剧情简介
Dot 2 Dot/Tete A Tete plays upon our contradictory desires for disorder and order, instituting a tension and symbiosis between images of multiplicity, continuity, advancement, and those of deliniation, constriction and finality. The opening credits, the single ticket on the screen, and the TV static rebound into infinity; the undulating, arcing Slinky becomes a humid tunnel int... (展开全部)
Dot 2 Dot/Tete A Tete plays upon our contradictory desires for disorder and order, instituting a tension and symbiosis between images of multiplicity, continuity, advancement, and those of deliniation, constriction and finality. The opening credits, the single ticket on the screen, and the TV static rebound into infinity; the undulating, arcing Slinky becomes a humid tunnel into endless space; the refracted landscape in the moving mirror multiplies into unintelligibility; the senuous red spin of the water, the spiral on the ball, and the sped-up sundial motion of the spider web and the academy leader (8,7,6,5, etc.), are all representations of self-pre-occupied motion
Dot 2 Dot/Tete A Tete plays upon our contradictory desires for disorder and order, instituting a tension and symbiosis between images of multiplicity, continuity, advancement, and those of deliniation, constriction and finality. The opening credits, the single ticket on the screen, and the TV static rebound into infinity; the undulating, arcing Slinky becomes a humid tunnel int... (展开全部)
Dot 2 Dot/Tete A Tete plays upon our contradictory desires for disorder and order, instituting a tension and symbiosis between images of multiplicity, continuity, advancement, and those of deliniation, constriction and finality. The opening credits, the single ticket on the screen, and the TV static rebound into infinity; the undulating, arcing Slinky becomes a humid tunnel into endless space; the refracted landscape in the moving mirror multiplies into unintelligibility; the senuous red spin of the water, the spiral on the ball, and the sped-up sundial motion of the spider web and the academy leader (8,7,6,5, etc.), are all representations of self-pre-occupied motion
