后宫诱逃
| 导演： | 戴维·麦维卡尔 |
| 主演： | Sally Matthews Edgaras Montvidas Tobias Kehrer Mari Eriksmoen Brenden Gunnell 弗兰克·索雷尔 Orchestra of the Age of Enlightenment Robin Ticciati The Glyndebourne Chorus |
| 制片国家/地区： | 英国 |
| 类型： | 戏曲 |
| 语言： | 德语 |
| 年代： | 2015 |
| 片长： | 180分钟 |
| 豆瓣评分： | 0 |
| 影伴评分： | 0 |
剧情简介
Director David McVicar's original-period vision for this Mozartian gem allows its genius to speak for itself, offering a 'mesmerising, sensitive...outstanding' portrayal of Enlightenment-era fascination with the East that is both 'exquisitely acted and sung', featuring a Konstanze and a Belmonte sung with 'finesse and brauva' and a 'sensationally voiced' Osmin (The Guardian ★★★... (展开全部)
Director David McVicar's original-period vision for this Mozartian gem allows its genius to speak for itself, offering a 'mesmerising, sensitive...outstanding' portrayal of Enlightenment-era fascination with the East that is both 'exquisitely acted and sung', featuring a Konstanze and a Belmonte sung with 'finesse and brauva' and a 'sensationally voiced' Osmin (The Guardian ★★★★★). Comic relief in Glyndebourne's 'brilliant production' is provided by 'beautifully sung live-wire performances' of Pedrillo and Blonde, and Robin Ticciati leads the Orchestra of the Age of Enlightenment through a restored, authenic rendition of the critical score with 'lovely fizz' and 'poignant gravitas' (The Independent).
Director David McVicar's original-period vision for this Mozartian gem allows its genius to speak for itself, offering a 'mesmerising, sensitive...outstanding' portrayal of Enlightenment-era fascination with the East that is both 'exquisitely acted and sung', featuring a Konstanze and a Belmonte sung with 'finesse and brauva' and a 'sensationally voiced' Osmin (The Guardian ★★★... (展开全部)
Director David McVicar's original-period vision for this Mozartian gem allows its genius to speak for itself, offering a 'mesmerising, sensitive...outstanding' portrayal of Enlightenment-era fascination with the East that is both 'exquisitely acted and sung', featuring a Konstanze and a Belmonte sung with 'finesse and brauva' and a 'sensationally voiced' Osmin (The Guardian ★★★★★). Comic relief in Glyndebourne's 'brilliant production' is provided by 'beautifully sung live-wire performances' of Pedrillo and Blonde, and Robin Ticciati leads the Orchestra of the Age of Enlightenment through a restored, authenic rendition of the critical score with 'lovely fizz' and 'poignant gravitas' (The Independent).
