黑夜与白昼
| 导演： | Risto Jarva / Jaakko Pakkasvirta |
| 编剧： | Risto Jarva / Janet Kolehmainen / Markku Lahtela |
| 主演： | 叶琳娜·萨罗 Numidia Vaillant 利奥·约克拉 |
| 制片国家/地区： | 芬兰 |
| 类型： | 剧情 / 喜剧 / 爱情 |
| 语言： | 芬兰语 |
| 年代： | 1962 |
| 上映： | 1962-11-23 |
| 片长： | 91分钟 |
| 豆瓣评分： | 0 |
| IMDB： | 0 |
| 影伴评分： | 0 |
剧情简介
The film was originally an attempt to create more meaningful Finnish cinema than the usual comedies and melodramas. It's also a quasi-outsider's look to Finland, since it is all Finnish-made but presents the country as something strange and foreign. The narrator's lines are rather old-fashioned and literary as if the film was an old documentary, probably intentionally although ... (展开全部)
The film was originally an attempt to create more meaningful Finnish cinema than the usual comedies and melodramas. It's also a quasi-outsider's look to Finland, since it is all Finnish-made but presents the country as something strange and foreign. The narrator's lines are rather old-fashioned and literary as if the film was an old documentary, probably intentionally although it also adds a hint of pretension to the mix. The many blue-tinted night (or is it day?) scenes all show that the filmmakers were ambitious and reaching for something new, but unfortunately their effort hasn't aged all well, as it drags in the middle quite heavily. Elina Salo is as fresh and lovely as always though, and the film can be recommended as a rare novelty for anyone interested in Finland. I wonder if a foreigner's perception of the movie would differ from mine.
The film was originally an attempt to create more meaningful Finnish cinema than the usual comedies and melodramas. It's also a quasi-outsider's look to Finland, since it is all Finnish-made but presents the country as something strange and foreign. The narrator's lines are rather old-fashioned and literary as if the film was an old documentary, probably intentionally although ... (展开全部)
The film was originally an attempt to create more meaningful Finnish cinema than the usual comedies and melodramas. It's also a quasi-outsider's look to Finland, since it is all Finnish-made but presents the country as something strange and foreign. The narrator's lines are rather old-fashioned and literary as if the film was an old documentary, probably intentionally although it also adds a hint of pretension to the mix. The many blue-tinted night (or is it day?) scenes all show that the filmmakers were ambitious and reaching for something new, but unfortunately their effort hasn't aged all well, as it drags in the middle quite heavily. Elina Salo is as fresh and lovely as always though, and the film can be recommended as a rare novelty for anyone interested in Finland. I wonder if a foreigner's perception of the movie would differ from mine.
