Yes Repeat No
| 导演： | Michael Moshe Dahan |
| 编剧： | Michael Dahan |
| 主演： | 莎萝姆·阿齐齐 Mousa Hussein Kraish 亚当·梅尔 |
| 制片国家/地区： | 美国 |
| 类型： | 剧情 |
| 年代： | 2023 |
| 上映： | 2023-03-12 |
| 片长： | 98分钟 |
| 豆瓣评分： | 0 |
| IMDB： | 0 |
| 影伴评分： | 0 |
剧情简介
华沙电影节自由精神单元竞赛。
Three actors audition to play the Palestinian-Jewish actor and activist Juliano Mer-Khamis, a former IDF paratrooper who defiantly identified as “100% Palestinian and 100% Jewish”. During a tense rehearsal meant to determine which of them is most suited to authentically portray Juliano Mer-Khamis, the three Julianos find their sense-of-self fractured and disrupte... (展开全部)
华沙电影节自由精神单元竞赛。
Three actors audition to play the Palestinian-Jewish actor and activist Juliano Mer-Khamis, a former IDF paratrooper who defiantly identified as “100% Palestinian and 100% Jewish”. During a tense rehearsal meant to determine which of them is most suited to authentically portray Juliano Mer-Khamis, the three Julianos find their sense-of-self fractured and disrupted. Assassinated on the steps of the theatre he founded in Jenin, Juliano Mer-Khamis considered himself a living embodiment of the Palestine-Israel conflict. Though switching between the conflicting identities he inhabited, he was always viewed as an Arab in Israel, and a Jew in Jenin. “Yes Repeat No” asks whether it is remembering our past — or, instead, forgetting it — that allows us to break cycles of identity and conflict.
华沙电影节自由精神单元竞赛。
Three actors audition to play the Palestinian-Jewish actor and activist Juliano Mer-Khamis, a former IDF paratrooper who defiantly identified as “100% Palestinian and 100% Jewish”. During a tense rehearsal meant to determine which of them is most suited to authentically portray Juliano Mer-Khamis, the three Julianos find their sense-of-self fractured and disrupte... (展开全部)
华沙电影节自由精神单元竞赛。
Three actors audition to play the Palestinian-Jewish actor and activist Juliano Mer-Khamis, a former IDF paratrooper who defiantly identified as “100% Palestinian and 100% Jewish”. During a tense rehearsal meant to determine which of them is most suited to authentically portray Juliano Mer-Khamis, the three Julianos find their sense-of-self fractured and disrupted. Assassinated on the steps of the theatre he founded in Jenin, Juliano Mer-Khamis considered himself a living embodiment of the Palestine-Israel conflict. Though switching between the conflicting identities he inhabited, he was always viewed as an Arab in Israel, and a Jew in Jenin. “Yes Repeat No” asks whether it is remembering our past — or, instead, forgetting it — that allows us to break cycles of identity and conflict.
