Kvadrat
| 导演： | 伊万诺夫 |
| 编剧： | 伊万诺夫 |
| 主演： | Andrey Pushkaryov |
| 制片国家/地区： | 俄罗斯 |
| 类型： | 纪录片 / 音乐 |
| 语言： | 俄语 Russian |
| 年代： | 2013 |
| 片长： | 107分钟 |
| 豆瓣评分： | 0 |
| IMDB： | 0 |
| 影伴评分： | 0 |
剧情简介
A feature-length documentary, Kvadrat explores the realities of techno DJing, using the example of Andrey PUSHKAREV, a Russian DJ recognized worldwide. Filmed as a hybrid between a road-movie and a music video, the film not only illustrates the festive atmosphere of techno night clubs, but also reveals the lesser known side of this profession: weeks of track selection, lengthy ... (展开全部)
A feature-length documentary, Kvadrat explores the realities of techno DJing, using the example of Andrey PUSHKAREV, a Russian DJ recognized worldwide. Filmed as a hybrid between a road-movie and a music video, the film not only illustrates the festive atmosphere of techno night clubs, but also reveals the lesser known side of this profession: weeks of track selection, lengthy travel, difficult schedule. The film suggests to reconsider the stereotype of a popular musician, to find out whether the artist is happy, to ponder what's most important to him and his audience? Shot in Switzerland, France, Hungary, Romania and Russia, the film omits the typical documentary elements: no interviews, no explanatory voice-over, no facts, no figures. The visuals and the techno music replace them, leaving the detailed interpretation to the viewer.
—Anatoly IVANOV
A feature-length documentary, Kvadrat explores the realities of techno DJing, using the example of Andrey PUSHKAREV, a Russian DJ recognized worldwide. Filmed as a hybrid between a road-movie and a music video, the film not only illustrates the festive atmosphere of techno night clubs, but also reveals the lesser known side of this profession: weeks of track selection, lengthy ... (展开全部)
A feature-length documentary, Kvadrat explores the realities of techno DJing, using the example of Andrey PUSHKAREV, a Russian DJ recognized worldwide. Filmed as a hybrid between a road-movie and a music video, the film not only illustrates the festive atmosphere of techno night clubs, but also reveals the lesser known side of this profession: weeks of track selection, lengthy travel, difficult schedule. The film suggests to reconsider the stereotype of a popular musician, to find out whether the artist is happy, to ponder what's most important to him and his audience? Shot in Switzerland, France, Hungary, Romania and Russia, the film omits the typical documentary elements: no interviews, no explanatory voice-over, no facts, no figures. The visuals and the techno music replace them, leaving the detailed interpretation to the viewer.
—Anatoly IVANOV
