第十八号，生命的呼吸
| 导演： | 吉多·范德韦弗 |
| 编剧： | 吉多·范德韦弗 |
| 主演： | 吉多·范德韦弗 Johanna Ketola Suze van Oort Mats Bakker Evan Zeldenrust 吉多·波勒曼斯 Marguerite de Brauw |
| 制片国家/地区： | 荷兰 |
| 类型： | 剧情 / 纪录片 |
| 语言： | 荷兰语 / 英语 |
| 年代： | 2023 |
| 上映： | 2023-01-27 |
| 片长： | 91分钟 |
| 豆瓣评分： | 0 |
| IMDB： | 0 |
| 影伴评分： | 0 |
剧情简介
Dutch artist Guido van der Werve describes his first feature film as “autofiction”. Like a piece of classical music, it is structured in a series of movements and is an autobiographical story in which past and present are intertwined. In 2016, following a serious car accident, Van der Werve remained in a coma for a month. Nummer achttien recounts his difficult and miraculous re... (展开全部)
Dutch artist Guido van der Werve describes his first feature film as “autofiction”. Like a piece of classical music, it is structured in a series of movements and is an autobiographical story in which past and present are intertwined. In 2016, following a serious car accident, Van der Werve remained in a coma for a month. Nummer achttien recounts his difficult and miraculous rehabilitation also recalling scenes from childhood from which the difficult relationships with his parents emerge. It is composed of numerous elements: 8 mm films and paintings made by the artist’s father, a choir and an orchestra that occasionally enters the scene (in a cemetery, in a supermarket), an alter ego of the artist himself impersonated by a little red-haired girl. Locations from other previous videos by the artist appear, such as the family home in Papendrecht in the Netherlands, his home in Finland and the medical center in Berlin where he stayed after the accident, and immediately started to film his rehabilitation. The film is pervaded by a sense of melancholy even if there are moments of humor, and delves into the depths of human existence: how life can be fragile and, sometimes, absurd.
源自：https://www.schermodellarte.org/en/film/nummer-achttien-the-breath-of-life/
Dutch artist Guido van der Werve describes his first feature film as “autofiction”. Like a piece of classical music, it is structured in a series of movements and is an autobiographical story in which past and present are intertwined. In 2016, following a serious car accident, Van der Werve remained in a coma for a month. Nummer achttien recounts his difficult and miraculous re... (展开全部)
Dutch artist Guido van der Werve describes his first feature film as “autofiction”. Like a piece of classical music, it is structured in a series of movements and is an autobiographical story in which past and present are intertwined. In 2016, following a serious car accident, Van der Werve remained in a coma for a month. Nummer achttien recounts his difficult and miraculous rehabilitation also recalling scenes from childhood from which the difficult relationships with his parents emerge. It is composed of numerous elements: 8 mm films and paintings made by the artist’s father, a choir and an orchestra that occasionally enters the scene (in a cemetery, in a supermarket), an alter ego of the artist himself impersonated by a little red-haired girl. Locations from other previous videos by the artist appear, such as the family home in Papendrecht in the Netherlands, his home in Finland and the medical center in Berlin where he stayed after the accident, and immediately started to film his rehabilitation. The film is pervaded by a sense of melancholy even if there are moments of humor, and delves into the depths of human existence: how life can be fragile and, sometimes, absurd.
源自：https://www.schermodellarte.org/en/film/nummer-achttien-the-breath-of-life/
