粉碎纪念碑
| 导演： | Sebastian Diaz Morales |
| 主演： | Indra Kusumaaka Ameng Ade Darmawan Gesya Farid Rakun Mirwan Andan |
| 制片国家/地区： | 荷兰 / 印度尼西亚 |
| 类型： | |
| 语言： | 印尼语 |
| 年代： | 2023 |
| 上映： | 2023-01-26 |
| 片长： | 50分钟 |
| 豆瓣评分： | 0 |
| 影伴评分： | 0 |
剧情简介
The title may evoke images of gleeful, destructive anarchism, but "smashing" here signals a relationship between people and official city statues that is friendly, jovial, even a little melancholic.
Five members of the Indonesian art collective ruangrupa (which directed this year’s controversial Documenta exhibition) each walk to a spot where a monument stands. Once glorious, t... (展开全部)
The title may evoke images of gleeful, destructive anarchism, but "smashing" here signals a relationship between people and official city statues that is friendly, jovial, even a little melancholic.
Five members of the Indonesian art collective ruangrupa (which directed this year’s controversial Documenta exhibition) each walk to a spot where a monument stands. Once glorious, these figures are now a little hidden, forgotten, unseen. Each one, from Pizza Man to the Welcome Monument, embodies a transformative moment in the nation’s political history, an index of its hopes and dreams. The artists stage conversations with these objects, within a repeated format suited to gallery installation as much as to film projection.
Argentine director Díaz Morales’ Smashing Monuments is many things: homespun performance art, social essay, and a pop-cultural study of Indonesian footwear.
源自：https://iffr.com/en/iffr/2023/films/smashing-monuments
The title may evoke images of gleeful, destructive anarchism, but "smashing" here signals a relationship between people and official city statues that is friendly, jovial, even a little melancholic.
Five members of the Indonesian art collective ruangrupa (which directed this year’s controversial Documenta exhibition) each walk to a spot where a monument stands. Once glorious, t... (展开全部)
The title may evoke images of gleeful, destructive anarchism, but "smashing" here signals a relationship between people and official city statues that is friendly, jovial, even a little melancholic.
Five members of the Indonesian art collective ruangrupa (which directed this year’s controversial Documenta exhibition) each walk to a spot where a monument stands. Once glorious, these figures are now a little hidden, forgotten, unseen. Each one, from Pizza Man to the Welcome Monument, embodies a transformative moment in the nation’s political history, an index of its hopes and dreams. The artists stage conversations with these objects, within a repeated format suited to gallery installation as much as to film projection.
Argentine director Díaz Morales’ Smashing Monuments is many things: homespun performance art, social essay, and a pop-cultural study of Indonesian footwear.
源自：https://iffr.com/en/iffr/2023/films/smashing-monuments
