金发老太
| 导演： | 阿曼达·斯特斯 |
| 编剧： | 阿曼达·斯特斯 |
| 主演： | 萝西·德·帕尔马 卡米尔·拉萨特 帕特里克·布鲁尔 |
| 制片国家/地区： | 法国 |
| 类型： | |
| 语言： | 法语 |
| 年代： | 2024 |
| 豆瓣评分： | 0 |
| IMDB： | 0 |
| 影伴评分： | 0 |
剧情简介
Likely adapted from the director's book and play with the same name "Le Vieux juif Blonde" It is, simply, the monologue of a very young girl who suffers from a very singular "disease": despite her age, her beauty, her blondness, she takes herself for
An 80-year-old Jew, a former deportee, with a memory full of torment and torment. So this "old Jew" tells his life? With a few e... (展开全部)
Likely adapted from the director's book and play with the same name "Le Vieux juif Blonde" It is, simply, the monologue of a very young girl who suffers from a very singular "disease": despite her age, her beauty, her blondness, she takes herself for
An 80-year-old Jew, a former deportee, with a memory full of torment and torment. So this "old Jew" tells his life? With a few excursions, all the same, in her identity as a young girl. It is very strange, very strong. We quickly get used to the improbability of the situation. Emotion contaminates each line, until the denouement, more or less Freudian, of this strange story?
Likely adapted from the director's book and play with the same name "Le Vieux juif Blonde" It is, simply, the monologue of a very young girl who suffers from a very singular "disease": despite her age, her beauty, her blondness, she takes herself for
An 80-year-old Jew, a former deportee, with a memory full of torment and torment. So this "old Jew" tells his life? With a few e... (展开全部)
Likely adapted from the director's book and play with the same name "Le Vieux juif Blonde" It is, simply, the monologue of a very young girl who suffers from a very singular "disease": despite her age, her beauty, her blondness, she takes herself for
An 80-year-old Jew, a former deportee, with a memory full of torment and torment. So this "old Jew" tells his life? With a few excursions, all the same, in her identity as a young girl. It is very strange, very strong. We quickly get used to the improbability of the situation. Emotion contaminates each line, until the denouement, more or less Freudian, of this strange story?
