Nosotros
| 导演： | Helena Taberna Helena Taberna |
| 编剧： | Helena Taberna / Virginia Yagüe |
| 主演： | 玛丽亚·巴斯克斯 巴勃罗·莫利内罗 |
| 制片国家/地区： | 西班牙 |
| 类型： | 剧情 / 爱情 |
| 年代： | 2023 |
| 豆瓣评分： | 0 |
| 影伴评分： | 0 |
剧情简介
The film reconstructs the story of a great love that started with its end: Ángela (played by María Vázquez) and Antonio (played by Pablo Molinero) are a couple who, like so many others, fell in love, lived a dream, had children, tried hard not to give up and failed several times. When love comes to an end, questions arise; where did it all go wrong? How did we end up like this?... (展开全部)
The film reconstructs the story of a great love that started with its end: Ángela (played by María Vázquez) and Antonio (played by Pablo Molinero) are a couple who, like so many others, fell in love, lived a dream, had children, tried hard not to give up and failed several times. When love comes to an end, questions arise; where did it all go wrong? How did we end up like this? In a journey through the good and bad of their relationship, Ángela and Antonio struggle against instability, the interference of desire and the idealisation of love.
The film reconstructs the story of a great love that started with its end: Ángela (played by María Vázquez) and Antonio (played by Pablo Molinero) are a couple who, like so many others, fell in love, lived a dream, had children, tried hard not to give up and failed several times. When love comes to an end, questions arise; where did it all go wrong? How did we end up like this?... (展开全部)
The film reconstructs the story of a great love that started with its end: Ángela (played by María Vázquez) and Antonio (played by Pablo Molinero) are a couple who, like so many others, fell in love, lived a dream, had children, tried hard not to give up and failed several times. When love comes to an end, questions arise; where did it all go wrong? How did we end up like this? In a journey through the good and bad of their relationship, Ángela and Antonio struggle against instability, the interference of desire and the idealisation of love.
