Carlé
| 导演： | Francesco Manzato |
| 编剧： | Francesco Manzato |
| 主演： | Antonio D'Amora Carola Invernizzi Carlo Massimino |
| 制片国家/地区： | 意大利 |
| 类型： | |
| 语言： | 意大利语 |
| 年代： | 2021 |
| 片长： | 12分钟 |
| 豆瓣评分： | 0 |
| IMDB： | 0 |
| 影伴评分： | 0 |
剧情简介
"Carlé" is a colour photograph of an entire generation. The film aims to tell the story of a 20-year-old boy and his hidden fragilities. Transitioning to adulthood is often difficult and painful: for Carlo, the film's main character, this transition has come a little sooner than expected, leading him to make forced choices and take big responsibilities on his shoulders. Carlo a... (展开全部)
"Carlé" is a colour photograph of an entire generation. The film aims to tell the story of a 20-year-old boy and his hidden fragilities. Transitioning to adulthood is often difficult and painful: for Carlo, the film's main character, this transition has come a little sooner than expected, leading him to make forced choices and take big responsibilities on his shoulders. Carlo and his best friend Antonio, although in two opposite positions, both feel at the mercy of their own destiny: on one hand, Antonio is fed up with living day by day without being able to give meaning to his existence; on the other hand, giving an irreversible direction to his life is precisely what frightens Carlo. These fragilities emerge during a night like any other they spend together in the streets of their city: Milan.
"Carlé" is a colour photograph of an entire generation. The film aims to tell the story of a 20-year-old boy and his hidden fragilities. Transitioning to adulthood is often difficult and painful: for Carlo, the film's main character, this transition has come a little sooner than expected, leading him to make forced choices and take big responsibilities on his shoulders. Carlo a... (展开全部)
"Carlé" is a colour photograph of an entire generation. The film aims to tell the story of a 20-year-old boy and his hidden fragilities. Transitioning to adulthood is often difficult and painful: for Carlo, the film's main character, this transition has come a little sooner than expected, leading him to make forced choices and take big responsibilities on his shoulders. Carlo and his best friend Antonio, although in two opposite positions, both feel at the mercy of their own destiny: on one hand, Antonio is fed up with living day by day without being able to give meaning to his existence; on the other hand, giving an irreversible direction to his life is precisely what frightens Carlo. These fragilities emerge during a night like any other they spend together in the streets of their city: Milan.
