Transcending Time
| 导演： | Katrina Walker / Paulina del Paso |
| 主演： | Abraham Castillo Flores |
| 制片国家/地区： | 墨西哥 |
| 类型： | |
| 语言： | 英语 |
| 年代： | 2022 |
| 片长： | 17分钟 |
| 豆瓣评分： | 0 |
| 影伴评分： | 0 |
剧情简介
With the look and the dress sense of someone who is visually expressing that he works in the arts, head programmer of Mexico’s Mórbido Film Festival, Abraham Castillo Flores, delivers (in English) a terrific examination of the film, the La Llorona mythology, and early Mexican genre cinema. Flores really knows his subject and is as infectiously enthusiastic about it as Kim Newma... (展开全部)
With the look and the dress sense of someone who is visually expressing that he works in the arts, head programmer of Mexico’s Mórbido Film Festival, Abraham Castillo Flores, delivers (in English) a terrific examination of the film, the La Llorona mythology, and early Mexican genre cinema. Flores really knows his subject and is as infectiously enthusiastic about it as Kim Newman and Stephen Jones, and the information comes so thick and fast that I had to watch it a second time to pick up on the details that I missed. Subjects covered include how the arrival of sound impacted early Mexican cinema, how close one of the actors in La Llorona came to having a fatal accident on set, the search for an appropriately unsettling cry for the Wailing Woman, the origins of the design of an Aztec ring and stone statue that appear in the film, and more. He does give some coverage to subsequent cinematic takes on the story, but notes, “I should also mention that there’s been many Llorona films made in the US, but of those I’d rather not even talk.”
With the look and the dress sense of someone who is visually expressing that he works in the arts, head programmer of Mexico’s Mórbido Film Festival, Abraham Castillo Flores, delivers (in English) a terrific examination of the film, the La Llorona mythology, and early Mexican genre cinema. Flores really knows his subject and is as infectiously enthusiastic about it as Kim Newma... (展开全部)
With the look and the dress sense of someone who is visually expressing that he works in the arts, head programmer of Mexico’s Mórbido Film Festival, Abraham Castillo Flores, delivers (in English) a terrific examination of the film, the La Llorona mythology, and early Mexican genre cinema. Flores really knows his subject and is as infectiously enthusiastic about it as Kim Newman and Stephen Jones, and the information comes so thick and fast that I had to watch it a second time to pick up on the details that I missed. Subjects covered include how the arrival of sound impacted early Mexican cinema, how close one of the actors in La Llorona came to having a fatal accident on set, the search for an appropriately unsettling cry for the Wailing Woman, the origins of the design of an Aztec ring and stone statue that appear in the film, and more. He does give some coverage to subsequent cinematic takes on the story, but notes, “I should also mention that there’s been many Llorona films made in the US, but of those I’d rather not even talk.”
