Local Angel
| 导演： | Udi Aloni |
| 编剧： | Udi Aloni |
| 主演： | Mahmoud Jreri Tamer Nafar SEE RANK Suhell Nafar |
| 制片国家/地区： | 以色列 |
| 类型： | 纪录片 |
| 语言： | 希伯来语 |
| 年代： | 2002 |
| 片长： | 1h 10m |
| 豆瓣评分： | 0 |
| IMDB： | 0 |
| 影伴评分： | 0 |
剧情简介
“Local Angel,” a film by New York-based Israeli artist Udi Aloni, is not an easy work to characterize. It’s a documentary about the root causes and present contradictions of the Palestinian-Israeli conflict, a deeply personal odyssey of discovery, and a surreal work of art combining poetry, music, and images both beautiful and horrific. While its subtitle is “Theological Politi... (展开全部)
“Local Angel,” a film by New York-based Israeli artist Udi Aloni, is not an easy work to characterize. It’s a documentary about the root causes and present contradictions of the Palestinian-Israeli conflict, a deeply personal odyssey of discovery, and a surreal work of art combining poetry, music, and images both beautiful and horrific. While its subtitle is “Theological Political Fragments,” the film ends by tying its many elements together in ways the viewer may not expect.
Moved by the destruction on Sept. 11 of the World Trade Center, one of the temples of capitalism, Aloni returned to Israel to grapple with the concepts of sacrifice and the sacred embedded in the history of a much more ancient edifice – the Temple Mount, a Jewish touchstone on which now sits the Moslem Dome of the Rock.
“Local Angel,” a film by New York-based Israeli artist Udi Aloni, is not an easy work to characterize. It’s a documentary about the root causes and present contradictions of the Palestinian-Israeli conflict, a deeply personal odyssey of discovery, and a surreal work of art combining poetry, music, and images both beautiful and horrific. While its subtitle is “Theological Politi... (展开全部)
“Local Angel,” a film by New York-based Israeli artist Udi Aloni, is not an easy work to characterize. It’s a documentary about the root causes and present contradictions of the Palestinian-Israeli conflict, a deeply personal odyssey of discovery, and a surreal work of art combining poetry, music, and images both beautiful and horrific. While its subtitle is “Theological Political Fragments,” the film ends by tying its many elements together in ways the viewer may not expect.
Moved by the destruction on Sept. 11 of the World Trade Center, one of the temples of capitalism, Aloni returned to Israel to grapple with the concepts of sacrifice and the sacred embedded in the history of a much more ancient edifice – the Temple Mount, a Jewish touchstone on which now sits the Moslem Dome of the Rock.
