M
| 导演： | Vardan Tozija |
| 编剧： | Darijan Pejovski,Vardan Tozija |
| 主演： | Matej Sivakov,Sasko Kocev,Aleksandar Nichovski |
| 类型： | 冒险 / 戏剧 / 科幻 |
| 年代： | 2023 |
| IMDB： | 5.8 |
| 影伴评分： | 6 |
剧情简介
The world outside the forest is a desolate and dangerous place. The forest is all what eight-year-old Marko has known and the only person he knows is his paranoid, protective Father. His most precious possession is his Picture Book where he believes he can find the answers to everything. His life suddenly changes when he discovers an innocent gentle boy with Down Syndrome named Miko living on the edge of the forest. Things turn for the worse when the boys are left alone to fend for themselves against the remnants of humanity. Marko has no clear idea of what it means to have a mother, but the boys must go on a journey to find her. Outside the safety of the forest, Marko is faced with a shattered world shrouded in silence and full of peril.
The world outside the forest is a desolate and dangerous place. The forest is all what eight-year-old Marko has known and the only person he knows is his paranoid, protective Father. His most precious possession is his Picture Book where he believes he can find the answers to everything. His life suddenly changes when he discovers an innocent gentle boy with Down Syndrome named Miko living on the edge of the forest. Things turn for the worse when the boys are left alone to fend for themselves against the remnants of humanity. Marko has no clear idea of what it means to have a mother, but the boys must go on a journey to find her. Outside the safety of the forest, Marko is faced with a shattered world shrouded in silence and full of peril.
网友分享资源
推荐/吐槽
| 2025-01-19 21:30:10 | 宝宝 | 评分：6 |
优点 创新的拍摄手法：作为有声电影诞生初期的作品，影片创造性地让声音参与叙事，如电影开始的童谣、M 的口哨伏笔、母亲开窗呼唤孩子的空镜头等，在当时具有开创性。同时，光影运用也十分出色，通过墙上的悬赏令和凶手的影子等，用光和影的形式完成了经典的出场。剪辑手法上，从家里的时钟指向 12 点平行剪辑到学校大门的时钟，让人感到连续发生失踪案后社会的恐慌和压抑。 多线索叙事结构：采用多线索模式，将警察、地下黑社会与变态杀人犯的三条线结构铺散开来，展示出极强的剧情驾驭能力，三条线索互相切换、并行发展如行云流水，毫不突兀。这种叙事结构在当时是较为新颖的，为影片增添了紧张感和悬疑氛围。 深刻的主题探讨：影片在结尾处通过地下法庭市民和检察官的控诉，以及被告和他的辩解，引发了观众对道德和哲学问题的思考。如无法自控的精神疾病与为了利益的犯罪、失去儿女的悲痛和对坏人的恨意等，使影片不仅仅是一部惊悚犯罪片，更具有深刻的内涵。 缺点 有声电影初期的瑕疵：由于处于默片时代向有声电影转变的时期，影片存在一些不足之处。比如人物台词过多且不自然，背景声音的处理也处于原始阶段，经常会影响影片情节的发展。 部分情节节奏拖沓：在一些情节的处理上，节奏较为拖沓，如结尾处的审判场景冗长，让部分观众觉得有些多余，影响了整体的观影体验。 | ||
