水上之火
| 导演： | Sun-J Perumal |
| 编剧： | Sun-J Perumal / Sivanantham Perianan |
| 主演： | Karnan Kanapathy Rubini Sambanthan Rupini Krishnan |
| 制片国家/地区： | 马来西亚 |
| 类型： | 剧情 |
| 语言： | 泰米尔语 |
| 年代： | 2024 |
| 上映： | 2024-01-26 |
| 片长： | 120分钟 |
| 豆瓣评分： | 0 |
| IMDB： | 0 |
| 影伴评分： | 0 |
剧情简介
Part satire, part drama, Perumal’s entertaining and revealing film shines a light on the triple threat that independent Tamil filmmakers in Malaysia are confronted with: the biases that mainstream Malaysian culture holds towards minority artists, the commercial and aesthetic pressure exerted by the Tamil film industry in India and the inherent risk aversion of Malaysian Tamil p... (展开全部)
Part satire, part drama, Perumal’s entertaining and revealing film shines a light on the triple threat that independent Tamil filmmakers in Malaysia are confronted with: the biases that mainstream Malaysian culture holds towards minority artists, the commercial and aesthetic pressure exerted by the Tamil film industry in India and the inherent risk aversion of Malaysian Tamil producers themselves.
Despite its cultural specificity, Fire on Water speaks to the frustrated aspirations of creative minds across the globe. As Karthi, played by a burly, humorously poker-faced Karnan Kanapathy, navigates a universe hostile to individual expression, he comes to embody the broader struggle of free-thinking artists everywhere against the forces of conformity and commercialism.
Part satire, part drama, Perumal’s entertaining and revealing film shines a light on the triple threat that independent Tamil filmmakers in Malaysia are confronted with: the biases that mainstream Malaysian culture holds towards minority artists, the commercial and aesthetic pressure exerted by the Tamil film industry in India and the inherent risk aversion of Malaysian Tamil p... (展开全部)
Part satire, part drama, Perumal’s entertaining and revealing film shines a light on the triple threat that independent Tamil filmmakers in Malaysia are confronted with: the biases that mainstream Malaysian culture holds towards minority artists, the commercial and aesthetic pressure exerted by the Tamil film industry in India and the inherent risk aversion of Malaysian Tamil producers themselves.
Despite its cultural specificity, Fire on Water speaks to the frustrated aspirations of creative minds across the globe. As Karthi, played by a burly, humorously poker-faced Karnan Kanapathy, navigates a universe hostile to individual expression, he comes to embody the broader struggle of free-thinking artists everywhere against the forces of conformity and commercialism.
