夜之外
| 导演： | 中川奈月 |
| 编剧： | 中川奈月 |
| 主演： | 田中佐季 山岸健太 礒部泰宏 河野宏明 小西悠加 福永朱梨 小綿照雄 木村知貴 |
| 制片国家/地区： | 日本 |
| 类型： | 剧情 / 悬疑 / 情色 |
| 语言： | 日语 |
| 年代： | 2019 |
| 片长： | 90分钟(日本) / 94分钟(Japa |
| 豆瓣评分： | 0 |
| IMDB： | 0 |
| 影伴评分： | 0 |
剧情简介
Brooding outsider Mikiro (Kenta Yamagishi) catches Sotoko (Saki Tanaka) just as she reaches a breaking point in her claustrophobic rural life. Their encounter introduces an eroticism with a violent edge that threatens to slash apart her toxic marriage with the abusive Atsuya (Yasuhiro Isobe) and his web of small town corruption. However Natsuki Nakagawa renders this pulpy premi... (展开全部)
Brooding outsider Mikiro (Kenta Yamagishi) catches Sotoko (Saki Tanaka) just as she reaches a breaking point in her claustrophobic rural life. Their encounter introduces an eroticism with a violent edge that threatens to slash apart her toxic marriage with the abusive Atsuya (Yasuhiro Isobe) and his web of small town corruption. However Natsuki Nakagawa renders this pulpy premise in deadpan realism, revealing Sotoko (homophonous with soto, meaning both “beyond” and “outside”) as a powerful character who challenges femme fatale archetypes, living in the frustration of failing to understand, even until the very end, those who are held closest. Structured with repeated scenes in a moonlit forest, Beyond the Night pierces the uncanny surface of physical reality to access the turmoil of humans’ inner desires.
Brooding outsider Mikiro (Kenta Yamagishi) catches Sotoko (Saki Tanaka) just as she reaches a breaking point in her claustrophobic rural life. Their encounter introduces an eroticism with a violent edge that threatens to slash apart her toxic marriage with the abusive Atsuya (Yasuhiro Isobe) and his web of small town corruption. However Natsuki Nakagawa renders this pulpy premi... (展开全部)
Brooding outsider Mikiro (Kenta Yamagishi) catches Sotoko (Saki Tanaka) just as she reaches a breaking point in her claustrophobic rural life. Their encounter introduces an eroticism with a violent edge that threatens to slash apart her toxic marriage with the abusive Atsuya (Yasuhiro Isobe) and his web of small town corruption. However Natsuki Nakagawa renders this pulpy premise in deadpan realism, revealing Sotoko (homophonous with soto, meaning both “beyond” and “outside”) as a powerful character who challenges femme fatale archetypes, living in the frustration of failing to understand, even until the very end, those who are held closest. Structured with repeated scenes in a moonlit forest, Beyond the Night pierces the uncanny surface of physical reality to access the turmoil of humans’ inner desires.
