美国豚鼠4:献祭
| 导演： | Poison Rouge |
| 编剧： | Samuel Marolla |
| 主演： | Roberto Scorza，Flora Giannattasio |
| 制片国家/地区： | 意大利 / 匈牙利 |
| 类型： | 恐怖 |
| 语言： | 意大利语 |
| 年代： | 2017 |
| 片长： | 60分钟 |
| 豆瓣评分： | 6.9 |
| IMDB： | 0 |
| 影伴评分： | 0 |
剧情简介
Haunted by the death of his father and other psychological traumas, Daniel (Roberto Scorza) returns to the home where he was raised. Faced with intense emotional scars, as well as physical -- which are realized by the years of self-harm depicted by the cuttings adorning his body -- he enters the bathroom to begin a journey of self-exploration, self-mutilation and quite possibly... (展开全部)
Haunted by the death of his father and other psychological traumas, Daniel (Roberto Scorza) returns to the home where he was raised. Faced with intense emotional scars, as well as physical -- which are realized by the years of self-harm depicted by the cuttings adorning his body -- he enters the bathroom to begin a journey of self-exploration, self-mutilation and quite possibly, self-enlightenment. Prepared only with three white candles and some crude instruments, Daniel attempts to beckon the embrace of the Goddess Ishtar (Flora Giannattasio) to assist him on his self-illumination. Beginning with a blade, Daniel digs into the palm of his hand, as deep crimson flows into the bathtub. Lapping up the blood from his fresh gash he sexually caresses the wound with his tongue (ala cunnilingus), thus commencing his voyage.
Haunted by the death of his father and other psychological traumas, Daniel (Roberto Scorza) returns to the home where he was raised. Faced with intense emotional scars, as well as physical -- which are realized by the years of self-harm depicted by the cuttings adorning his body -- he enters the bathroom to begin a journey of self-exploration, self-mutilation and quite possibly... (展开全部)
Haunted by the death of his father and other psychological traumas, Daniel (Roberto Scorza) returns to the home where he was raised. Faced with intense emotional scars, as well as physical -- which are realized by the years of self-harm depicted by the cuttings adorning his body -- he enters the bathroom to begin a journey of self-exploration, self-mutilation and quite possibly, self-enlightenment. Prepared only with three white candles and some crude instruments, Daniel attempts to beckon the embrace of the Goddess Ishtar (Flora Giannattasio) to assist him on his self-illumination. Beginning with a blade, Daniel digs into the palm of his hand, as deep crimson flows into the bathtub. Lapping up the blood from his fresh gash he sexually caresses the wound with his tongue (ala cunnilingus), thus commencing his voyage.
